Boilerplate

In 2011, Zhong Longsheng entered Visual Communication at the university and started working for many years. He has a new understanding of the value of design and realized the power of design in life and life. He believes that design has life, not physical meaning, that is to say, design is like human beings, it must have expression and emotion, and it must be injected with human-related plots, such as culture and local feelings. The work must not be divorced from life to be practical and has connotative value. In addition, good works must use design elements to create contradictions and collisions to make them full of life. For example, color and color, in his opinion, have a qualitative difference, color is a vital combination, and color is just material.